Showing posts with label thoughts. Show all posts
Showing posts with label thoughts. Show all posts

Tuesday, September 6, 2011

Swing dancing: an undervalued form of entertainment?

Managing The Swing Sesh, I get a lot of enquiries from people who want swing dancers as entertainment at their events. The type of events can vary, from corporate events, private parties, product launches, expos, and so on. The more enquiries I get, the more frustrated I become with the way Swing dancing is undervalued as a form of entertainment. I have declined many bookings, because the producer did not expect to pay for the dancers. Or, they act as if it is a great privilege to be performing at their event, and think that we will be thrilled to get into their event for free or have a meal there. Or I hear “it will be great exposure!” (yes, fantastic exposure when your MC pronounces my name wrong or you don’t put my flyers out!). In one example, the producer actually expected us to pay to get into the event and then perform. You can imagine what my response to that was!

This has me wondering why this is. I also work as a professional burlesque dancer, and I don’t seem to have anywhere near as much trouble getting paid what I am worth for a burlesque performance (in comparison – this problem is still prevalent in the burlesque industry, but I have found it much more difficult to get paid decent rates in swing dancing). Why is it that many producers won’t balk at a quote for a burlesque performer, but try and get swing dancers to do demos for free at their event? This irks me even more when an event has a jazz band that is being paid for their time. Why is it that the work a musician does is more highly valued then that of a dancer? We spend many hours rehearsing and training, just like a musician or any other performing artist.
Edit: I didn't mean to imply that dancers should be paid the same exact rate as musicians (though I am now aware that's how it reads). Musicians should most certainly be paid more - they are often there for longer, playing long sets, and as one reader mentioned over at Yehoodi, they can spend more time on their art then many dancers. I also didn't mean to imply that musicians are paid fair rates, on the contrary I believe they deserve more. What I meant by this statement is that in my experience, it is not unexpected that a band will be paid for an event (obviously there are exceptions), but for some reason it is a surprise when I quote for a swing performance. 

Perhaps it is because swing dancing is a hobby for many, and a profession for few, in my city, Adelaide, at least. There are probably less than 10 performing swing dancers that I know of in SA, but a large contingent of people who dance as a hobby. I guess it is also something a lot of people do for the love of it, and so hiring parties might assume that since we love dancing so much we will jump at the chance to dance anywhere. It could also be because often a request is made for several dancers, to increase the visual impact, so the price is higher for 2 or 3 couples then just 1 and this, for some reason, is not expected.

Sadly, we may have set our own low industry rate. When I have been approached to be a performer at a gig that was not booked through myself or The Swing Sesh, I have been appalled at the low payment rates offered. I took on a few of these gigs before I decided that if I didn’t demand what I was worth as a professional performer then I was never going to get it. If people are always going to work for less than they are worth, then sadly we will never get paid the amount we actually deserve.

Dancing is my profession. Yes, I love my job, but this doesn’t mean I don’t deserved to be paid for the work, dedication and commitment I put into my dancing. I take every gig I do seriously and respect those involved in production and venue management – I don’t think it’s too much to ask the same in return. I will continue to fight for rates that are fair for the performers at my school, and it is my hope that all performing artists can start saying NO to people who do not value them. If you do not value me as a performer, then why would I perform for you?


Luna

Edit: Obviously my scope is limited to my hometown. I'd be very interested to know if this occurs in other swing scenes as well. 

Saturday, June 18, 2011

Stuff I need to work on and what I intend to do about it

It's time for my confessional....



So I just got back from an amazing weekend of dancing at Melbourne Swing Festival, and like any time I throw myself into some hardcore workshops, I came away with a list of things I want to work on in my dancing. No matter what level your dancing is at, you always have something to learn...and boy do I have a lot!

So I thought I'd share with you guys two things I want to work on in my dancing and how I intend to do it!

1) Articulating my footwork

I tend to have a habit to have muffled footwork, especially at higher tempos. If you're body is a representation of the music, then I feel like sometimes my feet cause that annoying static you get on the radio! The one thing in common in all the top notch dancers that I love is that there footwork is super clear and not slippy or shuffly unless done out of necessity/styling. Sometimes my feet tend to slip around a bit, and when the music picks up, my footwork gets a little lazy, even though I don't cut out my steps.

In order to remedy this, I reckon I need to drill doing various footwork patterns around my place at different tempos, and playing around with the different levels of clarity you can get with your feet. I have also recently started taking tap classes, which I think might help, because you need clear footwork in tap to get the distinct sounds. This also ties in to the next thing I want to work on....

2) Rythym changes

We did an amazing workshop with Nina Gilkenson and Mike Faltesek that was all about different footwork rythyms, and playing around with rythym styles taken from the music and put into our feet. Man, I found this class HARD. I can change my footwork around, but usually my stylings will keep a swung rythym. We were working on stuff outside of that rythym, and although I got it in the end it made me realise I need to work on this stuff!

I think tap classes will help a WHOLE bunch with this. Even the basic steps in tap have lots of fun footwork rythyms that I think could work great in Lindy Hop. The sounds also help me feel like I'm a part of the band too, which is an awesome feeling. I also intend to play around with rythym concepts more in my practicing.

These are just the two new things I have recently added to my long list, which includes responding quicker to frame changes, allowing hips to create rotation instead of shoulders, swivelling as bad-ass as Nina Gilkenson, aerials, and so on....

Lindy Hop is a bottomless rabbit hole of awesome technique to work on. I love it!

Monday, April 11, 2011

Random thoughts on leading and following

Wooosh time flies by. It's been way too long since I last posted here. I shall make an attempt to do so more often!

The Swing Sesh was recently visited by the amazing Todd Yannacone and Lexi Keeton, who taught some fantastic workshops with a lot of solid core fundamentals as well as some nifty new "moves". For some reason or another, not many leads came along. I'm not really sure why this is, it seems strange to me seeings as Todd is such a phenomenal lead, here in our own hometown! But anyway, we had quite the turnout of enthusiastic ladies, all eager to learn some new material and work on their skills (this makes me do a little happy dance). As the ratio was fairly out of whack, most of The Swing Sesh teaching follows took the workshops as leads, myself included.

I was actually quite excited. I've always been somewhat of an ok lead, mostly at a beginner level, garnered from teaching experience and just socially dancing. Unfortunately, as I said before, we do have quite a lot of follows in Adelaide so sometimes I'd hear a song I really wanted to dance to, but couldn't find a lead. Thus, I began leading myself. I also found it an essential tool whilst teaching, because it is often useful to be able to give feedback to both roles, and as such you need to know something about both! I've always remained at a beginner level though because I haven't really worked on it, plus I am so busy teaching now I find it hard to get to classes and take them as a lead.

 The workshops with Todd and Lexi were the first time I'd really focused on my leading and critically thought about it, turning on my minds eye to look at myself and see what I'm actually doing. What an eye opener that was! Wow did it make me appreciate the complexities of leading a little more. Not that I didn't appreciate it before hand (nor am I saying following is not complex!), but I really felt like there was so much pressure, as I was directing the flow of the dance in this context. I know how frustrating it can be as a follow in a workshop where it is difficult to practice a technique when the leads are still practicing initiating it. So this was always on my mind during the classes.

At the end of the day I felt like I had gotten so much out of the workshops. Not only had I learnt some techniques as a lead, but I was also able to take all the follow-based feedback and slot that into my mind for future reference. How's that for getting 100% out of a workshop! I feel much more confident leading, and, I guess a little more aware of what I am capable of at the moment (I recently went through that phase of leading where my body wants to do something to the music but I can't quite pull it off and it turns into a little of a mess!). Now I have some tools to play around with and try and express the music with that I feel I have a solid grasp on.

The other big plus I have found from working on my leading is that it enables me to play around a lot more with shifting the roles when I am following. So, if I decide whilst following that I'd like to take a few counts or a phrase in a certain direction, and I want to initiate that myself I can communicate that a little more clearly to the lead I'm dancing with (well, most of the time anyway!). I don't feel like I'm interrupting the flow as much because I have a better idea about what the lead needs in order to continue the flow of whatever it is that I am offering him.

I know there are quite a few leads in Adelaide who recently have started taking classes as a follow, and I think this is great! Understanding both sides of the dance can only make us better dancers. Sometimes people have said things to me "you're to feminine to be leading", and I think that's crap! One can still be feminine and lead, or be masucline whilst following (actually, when I first started dancing I did a workshop with Josh McKiterick and Noni Clarke that challenged gendering the roles, that was a darn cool workshop), so I love that the dancers in the scene are embracing that.

Yeah! So ends my random thoughts.

Later, I'll add some resources related to this topic. *Hunts through favourites*.

Monday, January 24, 2011

Hello from Luna!

Hello! For those who don't know me, my name is Luna Godfrey and I am a swing dancing instructor and burlesque performer. I have recently taken over the management of The Swing Sesh, and have many exciting plans for the school! Chris Härm, the founder, will also be co-directing the school, but spends most of his time travelling the world and teaching Lindy Hop and blues at an international level. This post is basically to tell you a little bit about myself, and what I hope The Swing Sesh will become.

I've danced for pretty much my entire life. For around 10 years I was a professional bellydancer, and I have been a burlesque performer for about 4 years. I've also dappled in other performing arts like contemporary dance, theatre and jazz. I only started swing dancing around 3 years ago, but I immediately caught the bug. I attended as many classes as physically possible, as well as private lessons with local teachers. I knew I was obsessed when I was triple stepping around the house, garden, work...anywhere! Another sign was my inability to watch anything other then Lindy Hop competition videos on YouTube, and my distaste for any kind of music that didn't have a swing rythym. My obsession hasn't changed much today! Since starting Lindy Hop, I have tried to travel as much as I can and to learn from as many different people as possible. I am a firm believer that there is something to be learnt from everyone you meet, and always try to remember this in any level class.

A lot of people from outside my dancing life can't understand my passion for the dance, and I don't think you can really appreciate it until you've caught it. There is something about sharing a dance with a partner you've never met before, and being able to create something new, fresh and artistic with that person. It's such a joy and a challenge, and the experiences are continually changing as you dance with different people. There is also much to be said for the rich history behind Lindy Hop. Reading the about the lives of those who pioneered the dance gives me so much inspiration, and also makes me feel like we all have  a responsibility to pass on the dance to others, and to help them find the inspiration and joy we feel ourselves.

The Adelaide swing scene is quite small, but we have a really great community here. I really hope to help make that grow and expand, and through The Swing Sesh give people an avenue through which they can learn more and discover their own personalities as dancers. The people in the school have so much potential, and it's my dream for us all to grow together as a community, and look back on where we started and see how far we've come.

There are going to be many changes at The Swing Sesh, all looking to create a positive environment for all levels of Lindy Hoppers. It will take me a while to get a hold on how the system is working right now, so please excuse any hiccups that may occur whilst the changeover is taking place. I welcome any feedback you might have, so please don't hesitate to email me with any comments, queries or ideas at luna@theswingsesh.com, or you can phone me on 0405 144 301. You can also add me on Facebook and Skype (search for luna@theswingsesh.com) The Swing Sesh would be nothing without it's students so if you've got something to say, please don't hesitate!

I look forward to sharing the Lindy Hop journey with all of you. There is so much to learn and see!

Luna
The Swing Sesh
http://www.theswingsesh.com/
Ph 0405 144 301
info@theswingsesh.com

Chris and I...partners in crime! (and lindy hop)